(Volume 100/Number 6)
ARTnews  |  June 2001

June-2001 Cover

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The Mod Bod Hilarie M. Sheets

Modified, magnified, dissected, and erected, the body takes on unexpected shapes when sculptors use it as a metaphor for emotions

Also in this Issue

Stain Power Deidre Stein Greben

With pieces of dyed velvet, Polly Apfelbaum transforms painting into sculpture and beauty into strength

The Battle Over Arp Nicholas Powell

The artist wanted his legacy protected but left no instructions as to how. Now many of his works are in storage as legal battles are raging in three European countries

For Sale: A Troubled Legacy Jonathan Petropoulos

The German government and the Bavarian state quietly auctioned artworks acquired by Hitler, Goering, and other Nazi leaders without revealing their history

MakingProgress Ann Landi

Paul Ramírez Jonas takes pencil sharpeners, a vacuum cleaner, a clock radio, a drum, and some tubing—and transforms them into a music-playing automaton

 

Departments

Art Talk
Greil Marcus, Paul Kaiser, Lawrence Rinder, Tim Burton, Nigo, Bjarne Melgaard, Leah Gilliam, Steve Martin, Grace Glueck, Dave Hickey, Bill Owens, Charlie White, Kara Cressman, Gregory Crewdson, Sophie Calle, Paul Auster

National News
New York Hine case settled; "Not a decency committee"; Museums grateful for "dead" painting; The Khidekel case: Partly resolved New Orleans Tempest over The Pepper Pot Miami Stella off the waterfront

International News
Warsaw Polemics in Poland Berlin Blue Horses may rear its head; Hubbub over zigzag Vienna Imperial landmark becomes MuseumsQuartier Kiev Masochists miss out on Venice New York Beyond the Buddhas Madrid Goya's misattributed milkmaid? Paris "Printemps" in autumn São Paulo Brazil may get four Guggenheims

Art Market
New York Taubman and Tennant indicted; Tennant states his case; Taking on the tax code; The IRS: Approving appraisals; Strong sales for Scully

City Focus: Detroit
A Cause to Celebrate: Commemorating its tricentennial, Detroit renovates its museum and welcomes more galleries, while outlying venues continue to play a vital role in the area's art scene
By Marsha Miro

The Edge
Still Life with Phone and Gun: Using computer-aided design programs, Robert Lazzarini sculpts today's totems into tangible reminders of mortality
By Nicole Krauss

Design
Why Mies? And Why Now?
Design

Once scorned for being cold, Miesian Modernism is getting a fresh look at two New York museums
By Carter Wiseman

Studio
Man of Steel: Behind the controls of a crane, veteran sculptor Mark di Suvero coaxes tons of metal to curve and bend
By Blake Eskin

Looking at Art
Snow Motion: A 1904 mountain landscape by the Swiss artist Cuno Amiet comes close to being the first all-white painting
By George Mauner

Perspective
Improving with Age: A new book explains why artists got better as they got older
By Milton Esterow

 

Reviews

New York "BitStreams"; William Blake; Kiki Smith; Philip Pearlstein; "Committed to the Image"; Marcel Duchamp; Terry Winters; Marjetica Potrc; Bruce Pearson; Joan Witek; Benny Andrews; Aziz + Cucher; Mariana Cook; Sook Jin Jo Beverly Hills Jeff Koons Los Angeles Alfredo García Revuelta Berkeley Joe Brainard San Francisco David Ireland Dallas George Segal Washington, D.C. William Kentridge; Jacob Kainen Richmond Martin Puryear Memphis "American Impressionism" London "Give & Take"; Roger Ballen Paris "Picasso érotique"; Ruth Thorne-Thomsen Brussels Jan Vercruysse Zurich Thomas Ruff Cologne "Vintage Photography of the 1920s and 1930s" Vienna "Et in Arcadia Ego" Mexico City Alfredo Gavaldón