The oldest, most widely-read fine arts magazine in the world.
 
This Summer, we present the ARTnews 200, our annual list of the world's top collectors. We report on the ways that dozens of victims of New York dealer Lawrence Salander's fraud are fighting to recoup their losses of art and money. We profile Huma Bhabha, who infuses her antiheroic monuments with brutalism and gritty humor. And we consider an inventive new interpretation of the Last Supper.
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  • Food for Thought
    Everyone agrees that portion sizes in depictions of the Last Supper have grown. Not everyone agrees why
  • ARTnews Wins a Clarion Award
  • Where It's @
    MoMA acquires a typographic symbol—but what does it mean?
  • Where Pharaohs Meet Mad Max
    Raw brutalism and gritty humor underlie Huma Bhabha's antiheroic monuments
  • 'Your Labels Make Me Feel Stupid'
    In an effort to connect with visitors who feel bored, overwhelmed, or confused, museums are using focus groups, comment boards, and even full-time evaluators to help rethink and rewrite texts in the galleries
  • Art Museum Directors, Unite
    The stodgy AAMD votes to reinvent itself with new initiatives on membership, deaccessioning, and other hot-button issues
  • Rebounding
    The top ten collectors on our list
  • The ARTnews 200 Top Collectors
    Our annual list of the world's top collectors

  • Untangling the Salander Mess
    Dozens of victims of Lawrence Salander's fraud are fighting to recoup their losses of art and money, producing competing lawsuits and multiple claims for the same artworks
  • A New Look at an Edgy Realist
    The visionary landscapes of Charles Burchfield come to the Hammer Museum in a major show curated by contemporary sculptor Robert Gober
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Up Next

Next month, we profile Lynda Benglis, who has teased the limits of materials, taste, eroticism, and the male-dominated art world. We ask experts to list artists who have been forgotten by art history and are ripe for rediscovery. We look at the ways contemporary artists from China are revitalizing traditional ink-and-brush painting with a variety of approaches ranging from respectful to experimental. And as Mexican American artists attain a higher profile within mainstream art institutions, we explore what it means to operate under the Chicano moniker in today's culturally complex landscape.

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